I’ve owned these bodies for half a year and have done precious little in the way of posting on how one can get decent video from these. Well, here I am going to try to change that a bit. I am preparing for a concert that Nick and friends are giving at a local venue towards the end of next month, so I am working with a new set of SD cards.
They are PNY Polaroid 64GB cards with very fast read and write (>40MB/s and >30MB/s respectively.)
They are also very inexpensive for what you get – around 40 bucks at Amazon. So far, I have tested one of them in the GH2 pointed out the window at the garden and it managed 2:16 at >60Mb/s .. nice. That was a very detailed subject and shooting a concert is unlikely to get anywhere near those rates, which means that I will get very good quality for over 3 hours. Exactly what I want.
Note: These are SDXC cards! This means that you need to check your camera’s manual for compatibility with SDXC and with this size of card. I did that, downloading the manuals from the internet (they are all up there) in PDF format. Mine all support 64GB SDXC. Just make sure before you buy.
But what about power you ask? Batteries cannot last more than a couple of hours. And since I want to run the cameras for hours without stopping, I ordered some inexpensive power adapters. So far so good … the GH2 ran without stopping and did not overheat, so I am happy.
GH2, G5, G6
GF3, GF5, GF6
GX1, GF2, G3
I have tested all four and they power the four cameras just fine. However, do note that they are very inexpensive and light, so treat them gently. They need to be kept in a box until used and put right back if they are to give you years of service. Also, definitely make sure that you use gaffer tape to avoid people tripping on them or stepping on the various adapters etc. They won’t survive that. Anyway, here is the setup on my GH2:
Do note that there is a little door for the cord showing on the next image. The GH2 and G5 both have this, which allows them to run with AC power with their battery doors shut. The G6 will have this too, because the cord sticks out the side. But the adapters for the other cams are not like that and they must shoot on AC power with their battery doors ajar. No big deal, since they have to be on a tripod and near a plug, but just be aware of that.
Part 2 will cover the patches I use to improve the video on the hackable bodies …
ABOUT 3D TYPE I was reading some books in the library the other day and stumbled upon this 2011 publication titled "The 3D Type": http://3d-type.com/
That book is really worth reading and I absolutely recommend it. It is full of great 3D typography examples that you may have or have not imagined, for examples:
Alphabet made by juxtapositions of book on the shelf
Alphabet made by balloon.
Alphabet made by hair.
Alphabet made by arrangement of cup on a gate
Alphabet made by ink.
Alphabet projected on 3D environment
Alphabet of found stones that are shaped like one
Alphabet created by clever arrangement of sandwich
Alphabet created by melted cheese
And so on...
ABOUT 3D TYPOGRAPHY So, what is really 3D TYPOGRAPHY? In my own words, 3D typography is an arrangement and composition of text/alphabet in 3D space that we considered aesthetically beautiful, when properly designed can give extra impact to the message.
The typeface (the type of font) that is chosen can also influence the final look of typography design. True for 2D typography, even more in 3D typography, thus we have 3D TYPE topic.
Combine both 3D TYPE and 3D TYPOGRAPHY, then you have this huge design topic to explore. This is where you think FONT as character.
What would that topic has anything to do with Blender? Blender is actually a perfect tool for conceptualizing 3D TYPE design and TYPOGRAPHY arrangement in 3D.
Blender Text Object is pretty good starter. There is a limitation in term of control if you want to the details such as kerning, etc. It is not so important if your text is for TITLE/HEADING. You will not be doing novel inside Blender anyway. Surely, it could be interesting to think how to setup 3D TYPOGRAPHY for motion graphics animation, like how After Effects or MoGraph. Save that for later.
Alternative to Blender Text Object, we can always use NodeBox2 to prepare the Text Shape as Curves to pass on to Blender. This is perfectly recommended. NodeBox2 allows curve resampling and some easy 2D procedural curves.
3D TYPE(FACE) + 3D TYPOGRAPHY Like great examples shown on that book (shown at a glance on the video above), you can actually re-create most of them in CG.
Okey, purist artists might prefer to have a hands on 3D TYPE such as those made of grass or balloon, etc, that is all fine and dandy. Surely there are a lot more unexplored 3D TYPE concepts that are only possible to be done in CG, or at least create proof of concept, and maybe do 3D print. --- 3D print will get cheaper, so take notice! Home 3D printer is in my wishlist.
I remember some years ago, one of my college major projects was also to create 3D TYPE, Alphabet Set that is totally creative, made by juxtaposition of real everyday objects and to serve a purpose (for example: if the alphabet design is for furniture company, then you maybe design the alphabet using furniture). My design was this alphabet set created from liquid. Back then, we dont have Blender :) I created all the works using Photoshop. I kind of fake the liquid using halftone effect. This liquid text can be made a lot better if I were to do it again today.
THE BASIC STUFF So, lets think further about 3D type and typography together. 3D type in term of the design of the type (it should still readable as alphabet) and typography in term of the composition you will be creating.
Often time maybe we may just think: start with a Text object, choose a beautiful font, then extrude it and put it in 3D space, such as below:
Boring 3D type with perspective camera.
How about like this, set the camera to Ortographic and re-render with just ambient occlusion. Notice how "ortographic camera" can be quite neat. Try rendering your scene this way.
Very design-ish, but still boring.
These are very basic and will serve its purpose, sometimes you dont need any more than this. You could play around with the Bevel Object to create additional details. Similar to what you see at old signage design nicely carved edge and framed.
This beveled 3D TYPE alone, if you like to do further research and exploration can be interesting to study and explore.
BEVEL OBJECT EXAMPLE
Create a Text Object, hit TAB and change the text to your liking, keep it one word for now.
Under Text Object - Object Data panel, input Bevel Object with curve object. NOTE: Be careful here, if your Bevel Object curve is too big, you might get an unwanted result. You basically just need to rescale the curve you use as Bevel Object, and revoke the Bevel Object again. This does not refresh automatically, unfortunately, maybe they can change this in the future version of Blender. Maybe its the way for text object to cook off the object and save memory.
For Bevel Object, an open curve and a close curve profile will give you different result.
Without bevel edge, we get this more modern type (actually more boring, but simple, hence modern) tend to have this simple smoother plastic/metal-ish edge.
You could then continue then by adjusting other parameters such as:
COLOR: (notice that multiple materials on a single live Blender Text Object is possible)
Good thing being Text Object is that things are still easily editable. I try to always keep Text Object as is.
When you are in Text Object edit mode, you can easily assign multiple materials.
If I am correct, Blender Internal Render has little issue rendering Text Object with Ambient Occlussion, the solution is to convert it to normal Poly object and re-render. Alternatively, Blender Cycles render Text Object without any issue.
MATERIAL: (or surface property)
Blender Cycles is cool at creating this raytrace material: Chrome, Glass, but I think Blender Internal Render with Subsurface Scattering is still better at giving plastic/skin natural realistic look, similar to RenderMan.
TEXTURE:
Node based procedural texture in Blender is rarely noticed. Seriously they are fantastic, even better on Cycles because of the realtime preview. Separate tutorial needed to just explore the possibilities of material created with those procedural textures. Take notice of FAC attribute and MIX node, they are important.
SHADER (combination of color, texture, material, displacement) can play important job because it turns 3D TYPE into objects that have physical belivability.
Anything else I have not touched here? I think thats all the basic of what typically we do when doing 3D TYPE. Dont get me wrong, as designers, you can get really creative treating your 3D with just all above basic elements.
But of thats all about what we can do with 3D TYPE, it is still BORING, dont you think? I think so.
GET MORE INSPIRATION For more inspirations and research study, take a look some examples of 3D TYPE on famous movie posters. Some of them are interesting, some are a little bit boring. For these examples, I will borrow some images from Google Images Search, I dont think anyone would mind:
Movie Poster Title Examples
Dressed up movie title like Happy Feet Two is quite cute. Beautifully textured Kungfu Panda 2. Perhaps the Shrek Title also can be inspiration. Usually good 3D TYPE is easily recognizeable, even a single letter can tell you thats from which movie, for example The Matrix.
TAKE 3D TYPE FURTHER How can we take 3D TYPE into the next level? I will take you to explore this in the next article post.
DISTORTED TYPE (Particles, Displace Modifier)
SMOKE TYPE (Particles Fluid)
LIQUID TYPE (Volume Polygonizer)
FURRY TYPE (Hair)
BLOBBY TYPE (Particles)
ABSTRACT TYPE (Particles)
PROCEDURAL TYPE (Particles)
FRACTURED TYPE
ETC
Take a look at this awesome inspiration:
Hopefully this intro article on 3D TYPE can be useful for you, Try to take 3D TYPE further so that each text is totally unique and like a character in your scene!
UPDATE: Check this video for extra 3D typography inspiration:
UPDATE 2013.03.09: Motion Graphic Designer must love to see this: Sagmeister & Walsh Interview Its quite fun to see how those 2 designers worked really hard to create 3D type in real life. There is an art in itself of course. Their idea and execution is very clever.
Our job as 3D artist is probably to observe and think how to recreate the 3D type more efficiently in 3D, or maybe what can we create in 3D that cannot be replicated in real life? https://vimeo.com/58575990
